tianbo天博百家文藏网特辑精品鉴赏:大清银币、

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  百家文藏网立足于传统艺术品交易模式,以互联网为媒介,顺应互联网+文化艺术的行业大趋势。致力于通过建立完善的线上诚信公开的展示体系,树立一个高标准的行业规范,能够实现多方共赢的专业艺术品第三方线上平台。

  HOT RECOMMEND本期精彩藏品鉴赏

  一:大清银币

   【品相(Phase)】 ——品相完好(Good condition)

  【类别(category)】——钱币(Coin)

  【规格(specification)】——暂无(Nothing)

  【来源(source)】 ——夏老师(Teacher Xia)

  藏品简介(Introduction to the collection):

  清宣统二年(1910年),清政府将铸币权统一于中央,规定以圆(元)为单位,每元重七钱二分,定名为“大清银币”;宣统三年(公元1911年)又重新制模,试制大清银币,主币的蟠龙图案版别很多,计有长须龙、短须龙、大尾龙、反龙、曲须龙及签字版等版别。清政府为整治各地分散铸币而引起的币制混乱,便致力于币制的整顿与改革。除明定铸币权统一归中央外,还详细制定了铸币的样式、单位、分量和成色。“曲须龙”银币即为其中成员之一。此系列币,体制完备,制作精美,实属中国货币史上之空前。这币种被称为“国币”,藏界称之为“大清宣三”。“曲须龙”的字面和龙面,均为乔治亲自设计及敲定,他的签名也在签字版上两面都出现过。

  大清银币宣统三年壹圆是中国近代机制币中的十大名誉品之一,在钱币收藏界颇具盛名,历来为中国银币收藏的倾心之选。藏品保存完好,开口规整,品相精美,纹饰字迹清晰,表面光洁如新,锯齿整齐深刻,包浆圆润,色泽明亮,成色匀整,是古钱币收藏精品,值得藏家入手。近几年来,随着钱币收藏市场的不断升温,古钱币也慢慢走近了人们的视线中,各地钱币交易市场上,古钱币也相继取得了不错的成交价格。此枚大清银币宣统三年壹圆曲须龙,品相精致,纹饰深邃,制作精良,艺术价值高,值得人们倾情收藏!此银币的正面分为内圈和外圈两大部分,内圈刻有“大清银币”四个大字,外圈则是用楷体字和满文分别镌刻着“宣统三年”四个小字,币种一看就属于高档的银币,细节处不仅精美完整,磨损痕迹较少,而且银光闪闪,特别引人注目。再看钱币的反面,外圈底部印有英文版的“ONE DOLLAR”小字,内圈则是在曲须龙的环绕下,雕刻着“壹圆”两个大字,既说明了钱币当时的市值,又较好地展现出封建社会下,不一样的皇家风采。

  曲须龙--清代机铸币中龙。因龙须稍短而弯曲而得名,与长须龙对举。宣统三年清朝银币是从1911年开始铸造的,铸造了多个版别,但由于种种原因,只有“曲须龙”版别的宣统三年清朝银币正式铸造并流通,其他版别的就属于试铸样币,未曾流通使用,因此民间见到的宣统三年清朝银币为数不多“曲须龙”的版别。在钱币收藏界早就以较高的身价和稳定的上升趋势为人所熟知。即便与海外市场相比,当前内地市场亦不逊分毫。收藏者、投资者群体的知识更丰富、视野更开阔,观念也发生了深刻变化,他们对藏品追求更苛刻,在珍、稀的前提下,更看重藏品的完美品相和未来价值。此枚藏品保存较好,其色泽自然,不论是文字还是图案,都显得自然细腻,深浅合适。文字清秀,内容丰富,银光灿烂,其貌可人,也具有一定的保值和升值功能。

  (In the second year of Xuantong (1910), the Qing government unified the right of coinage in the central government. It was stipulated that the unit was yuan (yuan), which weighed seven yuan and two cents per yuan. It was named as "Qing silver coin"; in the third year of Xuantong (1911), the model was made again, and the trial production of Qing silver coins was carried out. There were many types of Panlong designs, including long, short, tail, anti, quxulong and signature plates. In order to rectify the confusion of currency system caused by scattered coinage, the Qing government devoted itself to the rectification and reform of currency system. In addition to the unification of the Ming Dynastys fixed coinage right to the central government, the style, unit, weight and quality of the coinage were also formulated in detail. The silver coin "quxulong" is one of its members. This series of coins, with complete system and exquisite production, is unprecedented in the history of Chinese currency. This currency is called "national currency" and "Xuansan" in Tibet. Both the literal and longmian of "quxulong" were designed and finalized by George himself, and his signature appeared on both sides of the signature plate.

  One yuan in three years of Xuantong silver coin in the Qing Dynasty is one of the top ten reputations in modern China. It is well-known in the field of coin collection and has always been the favorite choice for Chinese silver coin collection. The collection is well preserved, with regular opening, exquisite appearance, clear decorative writing, bright and clean surface, deep and neat serrations, mellow paste, bright color and even color. It is a fine collection of ancient coins, which is worth collecting. In recent years, with the continuous warming of the money collection market, ancient coins have gradually come into peoples sight. In the money exchange markets around the world, ancient coins have also achieved good transaction prices. This silver coin of the Qing Dynasty has three years of Xuantong and one yuan of Xulong. It is exquisite in appearance, profound in decoration, well made and of high artistic value. It is worthy of peoples love and collection! The front side of this silver coin is divided into two parts: the inner ring and the outer ring. The inner ring is engraved with four characters of "silver coin of the Qing Dynasty". The outer ring is engraved with four small characters of "three years of Xuantong" in regular script and Manchu respectively. The currency belongs to high-grade silver at first sight The details of the coin are not only exquisite and complete, but also have few wear marks, and the silver is shining, which is particularly striking. On the reverse side of the coin, the English version of "one dollar" is printed on the bottom of the outer ring, and the inner ring is engraved with "one yuan" under the surrounding of quxulong, which not only shows the market value of the coin at that time, but also shows the different Royal Style in the feudal society.

  Quxulong -- the dragon in the Qing Dynasty machine coinage. Its named for its short and curved beard. Its lifted against the long beard dragon. The silver coins of the Qing Dynasty in the third year of Xuantong began to be minted in 1911, and many types of silver coins were minted. However, due to various reasons, only the silver coins of the three years of Xuantong in the "quxulong" version were officially minted and circulated, and the other types belonged to the trial minted sample coins, which had not been used in circulation. Therefore, the silver coins of the three years of Xuantong in the Qing Dynasty seen by the people were not many types of "quxulong". In the field of coin collection, it has long been known for its high value and stable rising trend. Even compared with the overseas market, the current mainland market is not inferior. Collectors and investors have more knowledge, broader vision and profound changes in their ideas. They are more demanding in their pursuit of the collection. On the premise of being rare and precious, they pay more attention to the perfect appearance and future value of the collection. This collection is well preserved, with natural color. No matter the characters or patterns, it is natural, delicate and appropriate in depth. The characters are beautiful, rich in content, brilliant in silver and charming in appearance. It also has the function of preserving and appreciating value.)

  二:边景昭百鸟图

   【品相(Phase)】 ——品相完好(Good condition)

  【类别(category)】——字画(Painting)

  【规格(specification)】——长312cm,宽27.5cm(Length 312cm, width 27.5cm)

  【来源(source)】 ——谢老师(Teacher Xie)

  藏品简介(Introduction to the collection):

  边景昭:字文进,明代画家。福建人,一作陇西(今甘肃)人。曾任武英殿待诏,为宫廷作画。他性格夷旷洒落,渊博能诗,精画花果翎毛,继承宋代院体传统,以工整妍丽取胜。与吕纪齐名。设色沉着而妍丽,一图之中能描绘多种禽鸟。为明代早期花鸟画高手。传世作品有:《三友百禽图》轴,原藏故宫博物院,现在台湾省;与王孟端合作《竹鹤双清图》轴,藏故宫博物院;《春禽花木图》轴,藏上海博物馆.,其用笔墨无不合宜”之说。边景昭的墨线气力十足,变化丰富,精谨细微,柔韧相宜。他精画禽鸟、花果。深入生活,体察细微,注重物象的形神特征,边景昭笔下的花鸟,花有姿态,鸟有神采。他画的翎毛与蒋子成的人物、赵廉的虎,曾被称为“禁中三绝”,是明代院体画家中影响较大的工笔花鸟名家。有《竹鹤图》传世。子边楚芳、边楚善亦长于花果翎毛,传其父法。传世作品有《三友百禽图》、《双鹤图》、《春禽花木图》。边景昭的花鸟画以工笔重彩法见长,传统渊源无疑来自宋代“院体”,如清方薰《山静居画论》评:“边鸾(应作边景昭)、吕纪、林良、戴进,纯以宋院题为法,精工毫素、魄力甚伟,黄(笙)、赵(昌)、崔(白)、徐(熙)之作,犹可想见。”明李开先《中麓画品》更具体的指出:“边景昭其源出于李安忠。”清顾复《平生壮观》记边氏《聚禽图》时也指出:“得黄要叔父子遗意。”黄要叔父子即北宋初黄筌及其子黄居采,所创工笔重彩花鸟画风,成为宋初“院体”标准体制;李安忠是宣和朝画院画家,花鸟亦善然而出,边氏出生地的福建,又沿续着南宋院画风格和元代边武、张舜咨传至闽地的文人水墨花鸟画风,趋于粗简劲健,故边氏也受到一定影响。其成熟的花鸟画法即粗细相兼,妍雅并重。花鸟主体勾勒设色,工细妍丽,树石北京水墨皴染,简劲清雅,在工致华美中透出雍容浑朴气象,遂自成一格,开创了明代“院体”花鸟新风

  此画年代久远,保存完好,米色素绫地上绘百鸟图.,有孔雀、锦鸡、鸳鸯、蜂鸟、蝴蝶等等,另有牡丹等花卉,画面饱满,色彩华美富贵。画风看,画的很不错,富有诗情画意,形态逼真,如身临其境,立体感较强,款识也很规范,正款章。最后看笔法,笔法很老道,洒脱,画家是很孤傲和富有浪漫主义色彩的,为此也验证了他的性格。此作品确为鸟图之精品,极具收藏价值及增值空间.边景昭老师的名气很大以及字画成交价格非常之高,和热度相当。此画不管用于投资还是收藏都极具价值。tianbo天博升值空间极大。

  (Bian Jingzhao: a painter in Ming Dynasty. Fujian people, a Longxi (now Gansu) people. He once served as the imperial palace to draw for the court. He is broad-minded, broad-minded, able to write poems, and is good at painting flower and fruit feathers. He inherits the tradition of the Song Dynasty and wins by being neat and beautiful. It is as famous as the Lu period. The colors are calm and beautiful. There are many kinds of birds in one picture. He is a master of flower and bird painting in the early Ming Dynasty. Handed down works include: the axis of "three friends and one hundred birds", the former Museum of the Forbidden City, now Taiwan Province; the axis of "the painting of bamboo and crane in double Qing Dynasty" in cooperation with Wang mengduan, the Museum of the Forbidden City; the axis of "the painting of flowers and trees in spring", the Museum of Shanghai, all of which are suitable for the use of pen and ink ". The ink line of Bian Jingzhao is full of power, rich in changes, delicate and fine, and flexible. He is good at drawing birds, flowers and fruits. We should go deep into life, observe the details, and pay attention to the shape and spirit characteristics of the images. The flowers and birds in Bian Jingzhaos works have posture, and the birds have spirit. His feathers, Jiang Zichengs characters and Zhao Lians tiger were once called the "three wonders in prohibition", and they were the most influential painters of fine brushwork, flowers and birds in the Ming Dynasty. The painting of bamboo and crane has been handed down. The son is good at Chu Fang and Chu is also good at flower and fruit feather, which is passed on to his fathers method. His works are "three friends and one hundred birds", "two cranes", "flowers and trees in spring". Bian Jingzhaos flower and bird paintings are well known for their meticulous and colorful methods, and their traditional origins undoubtedly come from the "courtyard style" of the Song Dynasty. For example, Fang Xun of the Qing Dynasty commented that "Bian Luan (who should be Bian Jingzhao), LV Ji, Lin Liang and Dai Jin only use the Song Dynastys courtyard title as the method. They are exquisite and bold. The works of Huang (Sheng), Zhao (Chang), Cui (BAI) and Xu (XI) can be imagined." Li Kaixian of Ming Dynasty pointed out more concretely that "Bian Jingzhao originated from Li Anzhong." Gu Fu of the Qing Dynasty also pointed out in the picture of gathering birds of Bians family in his magnificent life: "it is necessary for Huang to leave his father and son behind." Huang Yaoshu and his son Huang Jucai in the early Northern Song Dynasty created a meticulous painting style of flowers and birds, which became the standard system of "courtyard style" in the early Song Dynasty. Li Anzhong was a painter of Xuanhe painting academy, who was also good at flowers and birds. In Fujian, where the Bian family was born, he continued the style of courtyard painting in the Southern Song Dynasty and the style of painting of flowers and birds in the literati ink that was transmitted to Fujian by Bian Wu and Zhang shunzi in the Yuan Dynasty, which tended to be simple and vigorous. Therefore, the Bian family was also influenced by Certain impact. Its mature painting method of flowers and birds is both thick and thin, and both elegant and elegant. The main body of flowers and birds is sketched and colored. It is delicate and beautiful. The trees and stones are made of water and ink in Beijing. Its simple and elegant. Its graceful and simple in the beauty of craftsmanship. Therefore, it has become a unique style and created a new style of flowers and birds in the "courtyard style" of the Ming Dynasty

  This painting has a long history and is well preserved. There are peacocks, golden pheasants, mandarin ducks, hummingbirds, butterflies, etc. on the ground of beige plain silk. There are flowers such as peonies. The picture is full and colorful. From the perspective of painting style, the painting is very good, poetic and realistic, such as immersive, strong sense of three-dimensional, and very standard, regular style. In the end, the brushwork is old-fashioned, free and easy. The painter is aloof and romantic, which also proves his character. This work is indeed a masterpiece of bird pictures, with great collection value and value-added space. Mr. Bian Jingzhao is famous and the transaction price of calligraphy and painting is very high, which is equivalent to the popularity. This painting is of great value for both investment and collection. There is a lot of room for appreciation.)

  三:羊宝

   【品相(Phase)】 ——品相完好(Good condition)

  【类别(category)】——杂项(Miscellaneous)

  【规格(specification)】——重:35克(Weight: 35 grams)

  【来源(source)】 ——司马老师(Teacher Sima)

  藏品简介(Introduction to the collection):

  羊结石也称羊宝。“羊宝就是羊的结石,是由消化不良、食物残渣凝结形成,具有较高的药用价值和收藏价值。”

  羊宝又叫羊粪石,始载于《本草纲目》,有清热、解毒、定惊作用,是不可多得的中药材。根据现代医学鉴定羊宝其实就是的胆结石、或者肾结石、胃结石,从医学角度来说,这是羊在采食过程中吃了一些不容易消化的、角质化的东西,这些东西进入胃里后会不停地滚动,越滚越大,越滚越光滑,形成球状物,都是日积月累形成的。羊宝一般刚取出来都是湿漉漉的,羊宝一般都是一年以上的羊肚子里取出来的,羊宝一般呈球状,为黑褐色,形状类似乒乓球大小,表面光滑,有纹理,切开后里面是像羊毛一样的材质。很多人都会问羊宝到底值不值钱,这么告诉你吧,有的人杀一辈子羊都碰不到一块羊宝,也有可能是碰上了自己不认识然后丢掉了,中国自古以来都是物以稀为贵,越稀少的东西价格越高。单论藏品自身的收藏价值都是值钱的,然后就是用价值,羊宝价格高低取决于它自身的用价值,很多老中医和大型厂出的价格都是按照羊宝的用价值来收。可用于多种疑难杂症,可见其珍贵程度。传说康熙年间,康熙得了某种怪病,找了无数太医治不好。古玩一位高人仅仅用羊宝一味材,使其痊愈。可见其珍贵程度!

  (Sheep Stone is also called sheep treasure. "Yangbao is the stone of sheep. It is formed by indigestion and food residue. It has high medicinal value and collection value."

  Yangbao, also known as sheep excrement stone, was first recorded in compendium of Materia Medica. It has the functions of clearing away heat, detoxifying and calming nerves. It is a rare Chinese medicine. According to modern medicine, yangbao is actually a gallstone, or kidney stone, or stomach stone. From the medical point of view, this is something that is not easy to digest and horny in the process of eating. These things will roll continuously after they enter the stomach. The bigger the roll, the smoother the roll, and the spherical objects are formed day by day. Yangbao is usually wet when it is just taken out. Yangbao is usually taken out from the stomach of sheep over one year. Yangbao is generally spherical, dark brown, similar to the size of table tennis, with smooth surface and texture. After being cut, it is made of the same material as wool. Many people will ask whether sheep treasure is worth money or not. So let me tell you, some people cant touch a piece of sheep treasure when they kill sheep all their lives, or they may encounter something they dont know and then lose it. Since ancient times, China has always valued rare things. The rarer things are, the higher the price. On the one hand, the collection value of the collection itself is valuable, and then it is the use value. The price of yangbao depends on its own use value. The prices of many old Chinese medicine and large-scale factories are collected according to the use value of yangbao. It can be used for a variety of difficult and miscellaneous diseases, and its precious degree can be seen. It is said that during the reign of Kangxi, Kangxi suffered from some kind of strange disease and found countless people who were too ill to be cured. An expert in antiques uses only one ingredient of yangbao to make it recover. We can see how precious it is!)

  四:坐洋币

   【品相(Phase)】 ——品相完好(Good condition)

   【类别(category)】——钱币(Coin)

  【规格(specification)】——暂无(Nothing)

  【来源(source)】 ——陈老师(Teacher Chen)

  藏品简介(Introduction to the collection):

  坐洋币又称法属印度支那贸易银圆,亦称安南银元。而所谓贸易银圆,就是一些老牌帝国主义国家为了发展殖民地贸易而发行的银币,坐洋币就是其中之一。

  1858年,法兰西第二帝国入侵安南(今越南),1884年,强迫安南签订第二次《顺化条约》,安南沦为法国殖民地,为了发展殖民地贸易经济,法西兰第二帝国于1885年开始铸造坐洋币,至1928年共计43年。而在中国的发行时间为1903年至1933年截止,其因中国在1933年实行废两改元后,法国船洋法币逐渐消失,坐洋币也随之消失。银币正面的主图为手执束棒的自由女神坐像,坐像的两侧铸法文文字是:REPUBLIQUE FRANCAISE(法兰西共和国)。女神座下方有小字法文BARRE和该币发行的年份1890年。银币背面的主图案为一花环,周圈为说明文字,花环上方铸法文为:FRANCAISE INDO-CHINE(法兰西印度支那),银币花环中间的横向文字为银币的面额:PIASTRE DE COMMERCE(皮阿斯特的贸易银)。银币花环下方文字为:TITRE 0.900 POIDS 27 GR。此枚钱币品相完好,包浆浑厚。极具研究价值与收藏意义。

  虽然坐洋币是真正意义上的曾经在中国流通的外国银币,是法兰西帝国主义在银元贸易中实施经济侵略的实物见证,但是由于坐洋币当年主要是在东南亚地区发行,在中国的流通仅限于南方沿海地区。

  而坐洋币的版别有因年号、因改重、因铸造厂等原因,形成众多不同的版别,左洋的版别并不复杂,这不仅给收集、收藏带来了方便,也因给研究、探讨更多的启迪。近年来在各地市场上较为多见,价值也是逐渐攀升,受越来越多的人所熟悉和收藏。

  (The foreign currency is also known as the French silver trade in Indochina, also known as Annan silver dollar. The so-called trade silver dollar refers to the silver coins issued by some old imperialist countries for the purpose of developing colonial trade. Sitting in the foreign currency is one of them.

  In 1858, the Second Empire of France invaded Annam (now Vietnam). In 1884, Annam was forced to sign the second "Treaty of obedience". Annam became a French colony. In order to develop the trade and economy of the colony, the Second Empire of France began to cast foreign currency in 1885, which lasted for 43 years until 1928. The issuing time in China was from 1903 to 1933. After the abolition of the two yuan reform in 1933, the French ship foreign currency gradually disappeared, and the foreign currency also disappeared. The main figure on the obverse of the silver coin is the seated statue of liberty with a bar in hand, and the French characters on both sides of the seated statue are: Republique Francaise. Below the goddess is the small French Barre and the year of issue 1890. The main pattern on the back of the silver coin is a wreath. The circle is explanatory. The French wreath is cast on the wreath: FRANCAISE INDO-CHINE (French Indochina), and the transverse character in the middle of the silver garland is the silver Denomination: PIASTRE DE COMMERCE (Astors trade silver). The text below the silver wreath is: titu 0.900 Poids 27 gr. This coin is in good condition with thick paste. It has great research value and collection significance.

  Although sitting foreign currency is a real foreign silver currency that once circulated in China and a physical witness of the economic aggression of French imperialism in silver dollar trade, it was mainly issued in Southeast Asia at that time, and its circulation in China was limited to the southern coastal areas.

  The edition of zuoyang coins is not complicated because of the year, weight change, foundry and other reasons, which not only brings convenience to collection and collection, but also gives more enlightenment to research and discussion. In recent years, it is more common in various markets, and its value is gradually rising. It is familiar and collected by more and more people.)

  五:大清铜币

   【品相(Phase)】 ——品相完好(Good condition)

  【类别(category)】——钱币(Coin)

  【规格(specification)】——暂无(Nothing)

  【来源(source)】 ——马老师(Teacher Ma)

  藏品简介(Introduction to the collection):

  古钱币之所以珍贵,不仅因为其设计精巧、铸造技术高超,更因为古钱币作为一种文化载体,它记录着各个朝代、各个时期的政治、经济、金融、商业、文化、科技的发展和变迁。历经岁月沧桑,古钱币随着时间的流逝,其存世数量越发稀少,价值弥足珍贵,投资收藏价值极佳。已酉大清铜币户部造当制钱十文,钱币正面珠圈内铸有“大清铜币”四字。下环铸“当制钱十文”,钱文端庄,字体深邃,挺拔工整,清秀俊逸,极具书法艺术价值。钱币背面中央饰有一条栩栩如生的神龙,龙麟深邃,纹理清晰,深浅分明,仔细一看,犹如一幅神龙翱翔天际的油画,极为瑰丽,异常震撼,让人看了无不叹为观止;珠圈外上环镌“宣统年造”四字,英文环绕其中,古朴端庄,优雅大方,极为精美。藏品采用优质铜材精心制作而成,设计精美,构思巧妙,新颖独特,形制端庄,造型出色,古朴素雅,端庄大气,色泽明亮,铜光闪闪,图文清晰,线条流畅,优雅细致,观赏性相当不错,极具艺术观赏价值,tianbo天博是一枚百年难得一见的古钱币收藏精品,值得藏友们倾情珍藏! 已酉版“大清铜币”价值之所以较高,是因为存世量少。“大清铜币”在钱币收藏界早就以较高的身价和稳定的上升趋势为人所熟知。相较于这些年来,陆续在收藏界掀起热潮的翡翠、南红、文玩等等,钱币收藏似乎一直不温不火,但也牢牢占据着属于自己的一席之地,有属于自己的一票支持者。而借着“大清铜币”的网络热潮,吸引了更多普通大众将投资视野转到了钱币收藏市场上。

  (Ancient coins are precious not only because of their exquisite design and superb casting technology, but also because as a cultural carrier, they record the development and changes of politics, economy, finance, commerce, culture and technology in various dynasties and periods. After years of vicissitudes, with the passage of time, the number of ancient coins is more and more scarce, their value is precious, and their investment and collection value is excellent. Ten coins have been made in the household of Qing Dynasty copper coins, and there are four characters of "Qing Dynasty copper coins" in the bead circle on the front of the coins. Under the ring casting "when making money ten articles", money article dignified, font profound, straight and neat, handsome and elegant, very calligraphy art value. There is a lifelike dragon in the middle of the back of the coin. The Dragon forest is deep, the texture is clear, and the depth is clear. If you look carefully, it is like a painting of the dragon flying in the sky. It is extremely magnificent, extremely shocking, and amazing to see. The four words "Xuantong made in the year" are engraved on the outer ring of the Pearl circle. Surrounded by English, it is simple, dignified, elegant and exquisite The collection is elaborately made of high-quality copper materials, with exquisite design, ingenious design, novel and unique design, elegant shape, simple and elegant style, dignified atmosphere, bright color, shiny copper, clear graphics and text, smooth lines, elegant and meticulous, very good ornamental value, very artistic and ornamental value, which is a rare ancient coin collection in a century, worthy of the attention of collectors The reason why the value of "Qing Dynasty copper coins" is high is that there are few coins in existence. "Qing Dynasty copper coin" has long been known in the field of coin collection for its high value and stable rising trend. Compared with the emerald, Nanhong, Wenwan and so on, which have set off an upsurge in the collection field in recent years, coin collection seems to have been tepid, but it also firmly occupies a place of its own, with one vote of its own supporters. However, with the upsurge of "Qing Dynasty copper coins" network, more and more ordinary people are attracted to transfer their investment vision to the coin collection market.)